parool

From the pawn shop to the terrazzo mosaic floor in the Rijksmuseum: Italian traces can be found all over Amsterdam

From the pawn shop to the terrazzo mosaic floor in the Rijksmuseum: Italian traces can be found all over Amsterdam

The Italian presence in Amsterdam has expanded rapidly in recent years, reflecting a long history of migration that began with medieval Lombard bankers. From historical clandestine churches and specialized trades like chimney sweeping to the enduring architectural craftsmanship of terrazzo floors, Italian influence is woven throughout the city's urban landscape.

The Italian community in Amsterdam has grown significantly, with the number of residents of Italian descent doubling over the past decade. While there is no centralized Little Italy, the city is deeply marked by centuries of Italian influence. Historical traces range from the medieval Lombard bankers, who provided essential credit, to 17th-century figures like Maria Therese Tensini, who established a clandestine Catholic church on the Raamgracht. These early waves of migration established foundations for future generations of workers.

By the late 17th century, Italian chimney sweepers from the Piedmont and Ticino regions dominated their trade in the city, leaving their mark on street names like the Schoorsteenvegerssteeg. Later, in the 19th and 20th centuries, skilled mosaic and terrazzo artisans from Friuli transformed Amsterdam's architecture, with their craftsmanship still visible in landmarks like the Rijksmuseum and various historic porticos. These diverse waves of migration, including the later arrival of Italian ice cream makers, have integrated deeply into the fabric of the city over hundreds of years.

Based on reporting by parool. Translated and condensed by LocalHeadlines.

Related articles

Jewish photographer Maria Austria captured Moluccan families in former Westerbork camp in 1952: ‘She recognized what those people were feeling’

Jewish photographer Maria Austria captured Moluccan families in former Westerbork camp in 1952: ‘She recognized what those people were feeling’

In 1952, the Jewish Amsterdam-based photographer Maria Austria documented Moluccan families living in the former Westerbork camp. Her work is currently featured in an exhibition at the Herinneringscentrum Kamp Westerbork, where her niece and a survivor who lived there as a child reflect on the images.

Twelve women accuse festival organizer Omid Kahali of sexual misconduct: ‘His hands were everywhere, while I didn’t even know how I got there’

Twelve women accuse festival organizer Omid Kahali of sexual misconduct: ‘His hands were everywhere, while I didn’t even know how I got there’

Twelve women have accused Omid Kahali, the former director of festival organization Sona, of sexual misconduct. Kahali recently stepped down from his position at the company, which is responsible for popular events like No Art and Wavy.

Dandy and contrarian Whistler cared little for anatomy in his portraits: harmony took precedence over reality

Dandy and contrarian Whistler cared little for anatomy in his portraits: harmony took precedence over reality

The Van Gogh Museum in Amsterdam is presenting a major retrospective on the British-American artist James McNeill Whistler, known for his nonconformist approach to traditional painting. The exhibition explores how Whistler prioritized aesthetic harmony over anatomical accuracy, frequently challenging critics and clients with his unconventional style.

Exhibition reveals how the former owners of Huis Willet-Holthuysen were deeply involved in the slave trade

Exhibition reveals how the former owners of Huis Willet-Holthuysen were deeply involved in the slave trade

An exhibition at Museum Huis Willet-Holthuysen in Amsterdam explores how the residence's 18th-century owners profited from the colonial slave trade. The display details how the city's canal district served as a major center for the plantation economy.

The first time I saw Cabaret, I thought writer Joe Masteroff was a visionary

The first time I saw Cabaret, I thought writer Joe Masteroff was a visionary

This column discusses the film Spinoza and the musical Cabaret, both of which explore historical themes of freedom and social progress that remain relevant today. By reflecting on the fictionalized friendship between Spinoza and Rembrandt in 17th-century Amsterdam and the enduring messages of Cabaret, the author finds comfort in the persistence of these vital human ideals.